Posts tagged cosplay
Posts tagged cosplay
Here is my costume - a steampunk flight attendant!
Not the best quality photos, but here is the coat I’ve been hand sewing for the past few months. The hat, scarf, and wristlets were created for me by Anouk Adrien of the amazing steampunk band Victor Sierra.
I’m already to board the Hydrogen Queen! Can I offer you tea? Whiskey? A Gear-Grinder cocktail?
Check out my other Cosplays here (links at the bottom of the post)
The TARDIS Shows Off
Model: J.M. Frey
Costume (The TARDIS Gown): designed by J.M. Frey; built by Ashley Katryna and Kenneth Shelley
Parasol: Hand Dyed to match the costume by Bedford Falls Headware
Jewellery: J.M. Frey and Red Moon Creations
Photos: Amanda Irwin
Taken at Withrow Park, Toronto
The TARDIS Gown Inspiration Explanations
The TARDIS is in Two Eras At Once (1890 & 2013)
The TARDIS Visits the Seaside (circa 1890)
The TARDIS Loves Instant Photos (circa 1970)
The TARDIS Attends A Party (2011)
The TARDIS Gets Cheeky (2013)
The TARDIS Steals a Time Lord and Runs Away (1963)
The TARDIS Comforts the Lonely God (1987)
The TARDIS Shows Off (Costume Details)
The TARDIS Picks Her Favourites
I thought I’d send this around again to celebrate the season! Happy Hallowe’en, my fellow cosplayers and Whovians.
Joan Sheppard (And Meredith McKay)
Genderbent Stargate: Atlantis
Originally created for the Stargate McKay Contest and film-maker Karen Wood’s entry “Swirlygate Atlantis”, we loved the costumes so much that we wore them around a bit!
Joan Sheppard: J.M. Frey
Meredith McKay: Karen Simmons
Both SGC jackets made by Karen.
I’m always adding to my Tickle Trunk of Random Steampunk Accessories and Costume Pieces. Generally I just throw an outfit together when I’m off to an event. Some pieces are bought, some commissioned, some modified from bought pieces.
Genderbent Inu Yasha
Premiered at Fan Expo 2007. Clearly I like to do genderbent costumes!
The idea for this costume came while I was taking Nihon Buyo lessons while I lived and taught in Japan. I figured that if Inu Yasha had been born female instead of male, big brother Sesshomaru might not have thrown the half-breed whelp out to fend for herself, and instead might have raised her as a Princess.
That in mind, I created a costume that was as historically accurate to the period and station of a Princess of that era as possible. The wig took the most time, I recall, because I had to sew about a hundred thousand wefts of silver and white onto a cap to create a “natural highlighting” look with the hair. I collected the various pieces from kimono markets, temples, cosplay shops, (the ears are from Tokyo Disneyland), and the makeup was bought from a Geisha supply store in Kyoto. As I had no sewing machine with me in Japan, there are several hundred hours worth of handsewing on those hems!
The embroidery is actually hand painted onto the fabric, and I dissassembled and cut apart the obi and the kimono, and cleverly rigged it all with zippers, snaps, ties, and in the case of the obi, an actual metal cage made from an old erector set to hold the bow rigid and in shape. While a kimono this elaborate usually takes about three hours to don (I know, I’ve done it!), this takes about half an hour.
The photos don’t show it well, but I’m also wearing yellow contact lenses, fake fangs, and longer fingernails, to reflect the actual physicality of Inu Yasha in the show.
(One of these days I’ll have to book another photoshoot with Elemental Photos and get some really nice shots of this costume.)
Disney’s Beauty and the Beast
Costume: J.M. Frey
Photos: Christine Mak, Stephanie Lalonde
Various Anime Norths. The gold costume comes in two variants: Ball Gown and Loligoth. The former was for the Masque and the latter for the con floor. The hoop crinoline, long skirt and shoulder swag are detatchable so all I had to do was swap them for the crinoline, short skirt, and bolero. I don’t wear this one often any more because it’s starting to get fragile, but I do lend it to local theatre groups when they put on the show. The price I charge for loaning it: two tickets!
My favourite part of this cosplay is that this is the book that I’m using for the prop: Women In Power In Early Modern Drama. It was the right colour and it seems like the kind of thing Belle would like to read. Also, The Beast, pictured here, was a plushie I gutted and turned into a backpack, so I had somewhere to put my wallet and phone while on the con floor.
As the photos of my TARDIS gown were so popular, I’ve been asked to post some photosets of my other previous cosplays.
All costumes were by cosplayers, except Wolverine which was made by Kenneth Shelley and Featherweight.
Beast: Featherweight (takes comissions)
Shadowcat: J.M. Frey
Wolverine: Adam Smith
Rogue: Ruby Pixel (takes comissions)
Storm: Pricilla Dixon
Phoenix: Ashley Regimbald-Kung (takes comissions)
Cyclops: Kenneth Shelley (takes comissions)
Mechanical Puppet Lockheed: J.M. Frey
Photos: Brienne Wright
Masquerade sountrack: 90s X-Men Cartoon theme played on Colliope; narrator & sound editor Doctor Holocaust
Today is going to be one of those Fridays where I am sitting at my desk waiting for phone calls. So, I’m putting it out there: Ask Me Stuff.
Ask me about Writer Stuff. About Cosplay Stuff. About Actor Stuff. About J.M. Frey stuff. About Fandom Stuff. About Stuff Stuff.
Ask me, and I will answer!
Look at these beautiful Georgian Chokhas! This is very much what I was envisioning for the “house robes” that the Royalty and Lordlings wear in my book The Untold Tales of Turn (formerly titled That Untitled Epic Fantasy Meta Thingy).
There are lots of great photos on the source site. Definately keeping this site in mind for later!